Hanon exercises how long

Seattle, WA. I'm wondering, did anyone get through all 60 Hanon exercises? How long did it take to learn them and thoroughly master? Re: Hanon exercises - to completion? Joined: Sep Turkey, Istanbul. Hanon Exercises are the waste of paper i like the last pages of his book include scales, arpeggios. United States of America. I began with Hanon as a child, and the first 20 took a few years, but I was not very focused or dedicated back then. I do, however give Hanon, if properly executed, the majority of the credit for my technique.

One of my students who is very dedicated and talented has mastered the first 20 in about a year. Joined: Aug Land of the never-ending music. I have gone through all of them in a relatively short time, but I have never tried to play them all in a row in 1 hour as advised I think at the end of the book Music is my best friend.

Joined: Nov There are so many variations you can apply to the exercises. It's good to keep revisiting for ways to improve hand independence, balance, etc. Someone even recommended to me once to transpose Part 1 exercises to different keys. I don't believe its a waste of time and its a good guide for technical exercises. I went through Part 1 and 2 fairly quickly, but very thoroughly 6 months? To say its a complete waste is too much, but saying is an absolute necessity will also spark some debate.

Progress through it with your current repertoire studies, and don't be afraid to jump around within the respective parts. If a certain passage of a piece is bringing you trouble, try pinpointing an exercise in Hanon, as opposed to methodically going through one by one.

I use Hanon as a warm up to get my fingers moving - along with scales and arpeggios. I've never gone through the entire book and mastered them all. In the early days my teacher chose a few exercises to work on aspects of my technique that were weak - and over time I've used a few others to mix up my warm up.

But I've never felt the need or the desire! Joined: May Victoria, BC. I'm not sure what the OP means by "learning" all of the exercises. While "mastering" them is something different, there is not much to learn, in the true sense of the word. Once you have read through them several times, each subsequent measure in each exercises is a repetition of an established pattern, so I don't know what there is to learn. I repeat, though, that mastering them might take some time just adjusting to some of the patterns.

Joined: Jun New Jersey. David P. I went through them three different times. Each time at a faster rate. I was at the beginning of learning how to play the first time I tried them. It took me 18 month to get through all 60 of them, none of them up to speed. The most difficult were thirds and octaves over arpeggios and arpeggios and some others. I can do parts I and II in about one and half hours but too exhausted to do all three part in one session. It takes me about 8 weeks to relearn one of these sections and bring it up to speed.

I've been playing now for about 7 plus years. Hannon has work well for an old beginner like myself starting piano at 39years old. Extensive practice in Hannon has condition my fingers to play the piano. In recent times i've graduated to Czerny. I am currently just as dedicated to Czerny as I was Hannon.

Czerny is closer to real music than hannon and has helped me play accordingly. Hannon is more fundamental than Czerny. Hannon had helped aid in developing pure virtuosity power and ability to reach any key any configuration. Mount Vernon, Georgia Originally Posted by Batuhan. New England. My piano teacher of 30 years ago used to have me play the first ten as quickly as I possibly could and time me, encouraging me to increase my speed each week.

As a result, I always play them really fast. I play the first 20 in about 10 minutes. What do people think about playing them fast? Is this a good idea? I still try to play them evenly and lightly. Joined: Dec Florida, USA. Hannon and my teacher taught me finger and hand position. Share your trials and tribulations. Bragging rights! You can also share pictures or videos of your piano playing. All Rights Reserved. Online Piano Coach. L Hanon. Smart Tip For each exercise, start by learning the pattern in the first measure ascending , in the last measure in the middle , before it turns and the first measure going down descending , in the very last measure.

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I consent to you using my information to send me a monthly newsletter, The Piano Player. Please practice the exercises below at comfortable speeds, always observing the physical well-being of your hands and body.

At any sign of tiredness, please take a break. If the fatigue is building up, consult a professional teacher to adjust your hand position and movement to avoid injury. If you observe the pain, you must discontinue using the exercises. In fact, pain means that you have missed many earlier signals of tiredness which should alert you to make changes to your practice routine, or simply take a break. If you are new to Hanon, or piano playing in general, this one can be challenging.

In numerous pieces of music, hands have to perform varied articulation one hand playing legato while the other playing staccato. This exercise increases hands independence. This will help you balance the sound volume between your hands in pieces, but also help in shaping the music.

See the examples of Hanon exercises below for some possible options:. To better hear inaccuracies and issues related to left hand weaker fingers, uneven tone, unnecessary accents , one of the most useful exercises is to play Hanon swapping right and left hand. This allows you to hear the left hand a lot better.

It is also one of the ultimate ways to detect problems with synchronisation between hands not playing precisely at the same time. If you have a problem executing this exercise well, it often means that your hands behave differently, and their movement and position might need adjustment. Tip: Practice hands separately to help them learn their parts independently before swapping them around when playing together.

This way of practising Hanon is quite popular and is used to strengthen and gain control over a particular finger. In each exercise, a different set of fingers gets your attention.

For example, if you notice that your second finger is weaker than others, pick an exercise which places accent on that finger to address its movement and position. You can do these exercises at your regular tempo.

The notes marked twice faster can be played lighter, and over time, they should become more transparent and well-controlled. This strategy helps in developing a strong sense of rhythm. If you feel that you need to improve your rhythm and tempo control, use Hanon to vary the metronome beat:.

Being able to control the speed at various metronome beats will assist you in developing a stronger sense of rhythm and tempo control. Practice those variants which seem most difficult to execute precisely. The main reason for transposing Hanon to different keys is that in keys other than C major, your fingers will play in less comfortable, or hardly accessible positions. In this way, they learn to develop and improve. Those two exercises are very popular, but I personally do not favour them since the faster notes in this variant are often played in an untidy and unclear manner.

If you decide to use them, please make sure that your tempo choice is slow enough so that the faster notes can be still well-controlled and clear even if played much lighter. This way of practising Hanon exercises can be dangerous.

Continuing your practice across many exercises — particularly if your hands are getting tired or are in pain — is a simple recipe for an injury. Use it only under the supervision of a well-experienced teacher!

You can begin by playing two exercises without stopping and keep increasing the number as long as your hands feel comfortable and not tired. Remember: Playing all Hanon exercises as a continuous drill can only be achieved at proper speed after many years of practice.

To facilitate the playing through all 31 exercises with no stops, here you can find exercises fit into just four pages IMSLP. Tip: I would personally avoid practising this way altogether to prevent injuries unless you are under the supervision of a professional teacher.

The final strategy in this article is not exactly a strategy but advice which will improve the quality of your Hanon practice. When performing techniques mentioned above, listen and assess whether you can sustain perfectly even rhythm, and if there are any notes which stand out by being:. Tip: Keep in mind that you can also combine various exercises described above, for example, you can double first and second semiquaver while varying articulation or dynamics, or both.

The other types of piano technique represented in this book such as octaves, double notes, thumb technique, etc. I hope you enjoyed this quick run through strategies of practising Hanon exercises. Please let me know in the comments section of via Facebook, if you would like any other variants added to the list. Happy practising and teaching everyone! Thank you for your answer. I sometimes practice Hanon exercises by staggering the fingering.

Example: Play c with left hand lh then play c right hand rh , d with lh then d with rh, e lh then e rh, etc.