What makes claude monet famous




















In , shortly after the birth of his first son Jean, Monet grew increasingly exasperated at his economic situation and he attempted suicide by throwing himself into the Seine. Luckily, he failed, but this was not the last misfortune Monet would face. His wife Camille became ill in during her second pregnancy. She died at the young age of thirty two in Modern Monet Monet's legacy has had a vast and important impact on Modern and Contemporary art in many different genres and artistic forms.

Take these three contemporary works Monet influenced artists like Roy Lichtenstein. This artwork, Red Barn , follows Lichtenstein's celebrated Haystack and Cathedral Series, what Lichtenstein himself referred to as "manufactured Monet's".

Between and , the artist, like Monet, completed more than twenty extended print series, most of which comprise six to eight images. In , Monet decided to move to Paris to pursue his art. There, he was strongly influenced by the paintings of the Barbizon school and enrolled as a student at the Academie Suisse.

During this time, Monet met fellow artist Camille Pissarro, who would become a close friend for many years. From to , Monet served in the military and was stationed in Algiers, Algeria, but he was discharged for health reasons. Returning to Paris, Monet studied with Charles Gleyre.

He also received advice and support from Johann Barthold Jongkind, a landscape painter who proved to be an important influence to the young artist. Monet liked to work outdoors and was sometimes accompanied by Renoir, Sisley and Bazille on these painting sojourns.

Monet won acceptance to the Salon of , an annual juried art show in Paris; the show chose two of his paintings, which were marine landscapes. Though Monet's works received some critical praise, he still struggled financially. The following year, Monet was selected again to participate in the Salon.

This time, the show officials chose a landscape and a portrait Camille or also called Woman in Green , which featured his lover and future wife, Camille Doncieux.

Doncieux came from a humble background and was substantially younger than Monet. She served as a muse for him, sitting for numerous paintings during her lifetime. The couple experienced great hardship around the birth of their first son, Jean, in Monet was in dire financial straits, and his father was unwilling to help them.

Monet became so despondent over the situation that, in , he attempted suicide by trying to drown himself in the Seine River. Fortunately, Monet and Camille soon caught a break: Louis-Joachim Guadibert became a patron of Monet's work, which enabled the artist to continue his work and care for his family.

Monet and Camille married in June , and following the outbreak of the Franco-Prussian War, the couple fled with their son to London, England. There, Monet met Paul Durand-Ruel, who became his first art dealer. Returning to France after the war, in , Monet eventually settled in Argenteuil, an industrial town west of Paris, and began to develop his own technique.

During his time in Argenteuil, Monet visited with many of his artist friends, including Renoir, Pissarro and Edouard Manet—who, according to Monet in a later interview, at first hated him because people confused their names. Monet sometimes got frustrated with his work. According to some reports, he destroyed a number of paintings—estimates range as high as works. Monet would simply burn, cut or kick the offending piece. In addition to these outbursts, he was known to suffer from bouts of depression and self-doubt.

Once the lilies were clean, Monet began painting them, trying to capture what he saw as the light reflected off the water. Around when he was in his late 60s, Monet began having trouble with his vision. Diagnosed with cataracts in , he later described his inability to see the full color spectrum: "Reds appeared muddy to me, pinks insipid, and the intermediate or lower tones escaped me.

Monet delayed getting risky cataract surgery until , and critics mocked him for his blurry paintings, suggesting that his Impressionist style was due to his failing vision rather than his artistic brilliance. After two cataract surgeries, Monet wore tinted glasses to correct his distorted color perception and may have been able to see ultraviolet light.

In , an art dealer in London discovered an unknown Monet pastel that had been hidden behind another Monet drawing that he had bought at a auction in Paris. The pastel depicts the lighthouse and jetty in Le Havre, the port in France where Monet lived as a child.

Art scholars authenticated the pastel as an authentic Monet artwork and dated it to , around the time he jumped into the Seine. In , Monet died of lung cancer. His series of grainstacks, painted at different times throughout the day, received critical acclaim from opinion-makers, buyers, and the public when exhibited at Durand-Ruel's gallery.

He then turned his sights to Rouen Cathedral, making similar studies of the effects of changing mood, light, and atmosphere on its facade at different times of the day. The results were dozens of canvases of brilliant, slightly exaggerated colors that formed a visual record of accumulated perceptions. Ultimately, Monet preferred to be alone with nature, creating his paintings rather than participating in theoretical or critical battles within the artistic and cultural scene of Paris.

Whereas he traveled throughout the s and to places like London, Venice, Norway, and around France - in he settled for the remainder of his life in Giverny. The year saw the death of his second wife Alice, followed by the passing on of his son Jean. Shattered by these deaths, the ragings of the First World War, and even a cataract forming over one of his eyes, Monet essentially ceased to paint.

At the time, the French statesman Georges Clemenceau who happened to also be Monet's friend asked Monet to create an artwork that would lift the country out of the gloom of the Great War. At first, Monet said he was too old and not up to the task, but eventually Clemenceau lifted him out of his mourning by encouraging him to create a glorious artwork - what Monet called "the great decoration".

Monet conceived a continuous sequence of waterscapes situated in an oval salon as a world within a world. A new studio with a glass wall facing the garden was built for this purpose, and despite having cataracts one of which he had surgically removed , Monet was able to move a portable easel around to different places within the studio to capture the ever-changing light and perspective of his water lilies.

He continued to work on his water paintings right up until the end of his life. The Orangerie museum was ultimately built with two eliptical rooms constructed to house Monet's water lilies. The all-over compositions of the canvases and the designed rooms allowed the viewer to feel as if they were within the water surrounded by the foliage. The ultimate installation was loved by many critics, and was most famously proclaimed "the Sistine Chapel of Impressionism" by the Surrealist writer and artist Andre Masson.

Monet's extraordinarily long life and large artistic output befit the enormity of his contemporary popularity. Impressionism, for which he is a pillar, continues to be one of the most popular artistic movement as evidenced by its massive popular consumption in the form of calendars, postcards, and posters. Of course, Monet's paintings command top prices at auctions and some are considered priceless, in fact, Monet's work is in every major museum worldwide. Even though his works are now canonized, for a number of years after Monet's death, he was only known in select circles of art lovers.

The major renaissance of his work occurred in New York by the Abstract Expressionists. Artists like Mark Rothko and Jackson Pollock , and critics such as Clement Greenberg learned much from Monet's large canvases, and semi-abstract, all-over compositions. Pop artists also referred to Monet's haystacks in pieces like Andy Warhol's repeating portraits.



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